HELLO!
My name is Nur Khairiyah Binte Ramli aka Khai.
I'm a Singaporean Muslim-Malay Creative Producer based in London. I am passionate about championing stories from the underrepresented voices in the industry.
My journey started in 2010 with The Necessary Stage.
I had the privileged to work for the theatre company as an Assistant Production Coordinator on their award-winning productions like Gemuk Girls (Fat Girls), Model Citizens, and supported their annual M1 Singapore Fringe Festival.
In 2012, I was appointed Programmes Manager at The Substation, and programmed their annual Night Festival, SeptFest, and their Performing Arts season from 2012-2015. My role at The Substation has allowed me to commission, lead incubation programmes and provide a platform for emerging artists to experiment and take risks.
In 2016, I left my full-time job to be an independent producer. I general manage a local theatre collective called HATCH & produced 4 of their original works (Hawa, Super Happy Land, Cari Makan and Lanang). I've toured Super Happy Land to Osaka, Japan and HAWA to Brisbane Fest, Australia.
In 2018, I moved to London to further my studies and graduated with MA (Distinction) in Creative Producing at Royal Central School of Speech & Drama. I was awarded the Start Up VISA after proposing a business plan for RUMAH. During the pandemic,
I re-imagined the space virtually, to hold Asian diaspora communities & creatives. I hosted online 'Scratch Nights' called Main-Main, which means to 'Play', supported by Omnibus Theatre, and 'Crying Parties' on zoom where we check in, learn a new skill, meet other like minded individuals in a brave space & stay connected. I was awarded grants from ACE Project Grant and Paul Hamlyn Foundation for all of RUMAH's programmes that year.
In May 2021, I joined 'In Good Company', the flagship development programme for creatives in the Midlands, as their Interim Creative Producer. While in the Midlands, I met Sarah Brigham and Ivan Stott, who then made me their freelance producer for Hiccup Theatre - A theatre company making work for children, young people and their families, based in the Midlands.
In June 2021 I started working with Complicité An international touring theatre company, based in London, founded by Simon McBurney, Annabel Arden & the late Marcello Magni, as their Projects Coordinator. In 2022 I became their full-time Assistant Producer & supported different productions like The Dark Is Rising, Lead the community screening of Can I Live? by Fehinti Balogun and the preview of Drive Your Plow Over The Bones Of The Dead at Theatre Royal Plymouth
In 2023 I've decided to jump back to freelancing-full-time.

AWARDS
-
Nominated for Asian Woman Achievement Awards, Arts & Culture, 2022
-
Recipient of the Charlie Harthill Special Reserve Award for Global Majority Artists - Pat Gets Ready, EdFringe 2021
-
Recipient of DYCP Round 9, 2021
(Developing Your Creative Practice)
Arts Council England. -
Recipient of STAGE ONE Producers Bursary
for New Producers, 2021-2022 -
Recipient of The Society Theatre Research, Covid-19 Support Grant, 2020
-
Recipient of METROLAND Culture Fund,
Brent 2020
TRAINING
-
British Council and Fringe Society's Emerging Producer Development Program, 2019
-
MA (Distinction) In Creative Producing, Royal Central School of Speech and Drama, 2019
-
Diploma (Higher Education) In Theatre Arts,
Lasalle-SIA, College Of The Arts Singapore, 2008
MENTORS
-
Kate McGrath, (Co-director and co-founder of FUEL) for Stage One Bursary
-
Isobel Hawson, (Director of On Tour Ltd)
for DYCP -
Daniel York Loh, (Writer, filmmaker, actor & musician) for RUMAH